{"id":1165,"date":"2011-10-03T16:26:49","date_gmt":"2011-10-03T16:26:49","guid":{"rendered":"https:\/\/www.whyquiltsmatter.org\/staging20231003\/?p=1165"},"modified":"2023-10-06T17:20:33","modified_gmt":"2023-10-06T17:20:33","slug":"why-quilts-matter-history-art-politics-ket2-episode-5-gees-bend-the-most-famous-quilts-in-america","status":"publish","type":"post","link":"https:\/\/www.whyquiltsmatter.org\/staging20231003\/news\/why-quilts-matter-history-art-politics-ket2-episode-5-gees-bend-the-most-famous-quilts-in-america\/","title":{"rendered":"“Why Quilts Matter: History, Art & Politics” KET2 – Episode 5, “Gee’s Bend: The Most Famous Quilts in America?”"},"content":{"rendered":"

Episode 5, “Gee’s Bend: The Most Famous Quilts in America?,” premiers on KET2 next Monday, October 3, at 7PM EST.<\/p>\n

\"HousetopIn 2002, I had a life changing experience when I was able to visit the women of Gee’s Bend, Alabama. \u00a0I visited them in their homes, shared meals with them, and was overwhelmed by the power of their work, the stories of their lives, their optimism and their boundless creativity through extreme poverty. \u00a0 This isolated location, originally settled by slaves, has passed its quilting traditions down from mother to daughter, for generations.<\/p>\n

From the clotheslines of the South to the exhibition walls of the country’s greatest museums, the journey of the Gee’s Bend quilts is worth exploring. These quilts, made from poor materials and clothing shreds, produce an aesthetic richness not to be denied (by most people). \u00a0Unlike traditional quilts with small straight stitches and clean patterns, Gee’s Bend quilts were criticized for being roughly crafted. \u00a0But don’t let the difference in construction fool you! Many people think these women created highly visual works of art. \u00a0Some people disagree and do not think they should be in any museum. \u00a0What do you think? \u00a0Please join us for a discussion on Facebook!<\/a><\/p>\n

– Shelly Zegart<\/p>\n

 <\/p>\n

\u2192 Find out more about Episode 5, “Gee’s Bend: The Most Famous Quilts in America?”<\/a><\/p>\n

\u2192 Watch Episode 5 Preview<\/a><\/p>\n

\u2192 Image Resource Guide for Episode 5<\/a><\/p>\n

 <\/p>\n

Image Credits:<\/em><\/p>\n

Top: Blocks, Strips, Strings and Half Squares.<\/em>\u00a0\u00a0\u00a0Mary Lee Bendolph (2005). \u00a0Cotton. 84″ x 81″. From Gee’s Bend: The Architecture of the Quilt <\/em>by\u00a0Paul Arnett (Tinwood Books, 2006). \u00a0Courtesy of Matt Arnett. \u00a0Photo by Pitkin Studio.<\/p>\n

Left: Housetop Variation.<\/em> Martha Pettway (1930s). Cotton. 80″ x 73″. From\u00a0Gee’s Bend: The Architecture of the Quilt <\/em>by\u00a0Paul Arnett (Tinwood Books, 2006). \u00a0Courtesy of Matt Arnett. \u00a0Photo by Pitkin Studio.<\/p>\n","protected":false},"excerpt":{"rendered":"

Episode 5, “Gee’s Bend: The Most Famous Quilts in America?,” premiers on KET2 next Monday, October 3, at 7PM EST. In 2002, I had a life changing experience when I was able to visit the women of Gee’s Bend, Alabama. \u00a0I visited them in their homes, shared meals with them, and was overwhelmed by the […]<\/p>\n","protected":false},"author":1,"featured_media":1176,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[10,9,12],"tags":[],"_links":{"self":[{"href":"https:\/\/www.whyquiltsmatter.org\/staging20231003\/wp-json\/wp\/v2\/posts\/1165"}],"collection":[{"href":"https:\/\/www.whyquiltsmatter.org\/staging20231003\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.whyquiltsmatter.org\/staging20231003\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.whyquiltsmatter.org\/staging20231003\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.whyquiltsmatter.org\/staging20231003\/wp-json\/wp\/v2\/comments?post=1165"}],"version-history":[{"count":1,"href":"https:\/\/www.whyquiltsmatter.org\/staging20231003\/wp-json\/wp\/v2\/posts\/1165\/revisions"}],"predecessor-version":[{"id":6574,"href":"https:\/\/www.whyquiltsmatter.org\/staging20231003\/wp-json\/wp\/v2\/posts\/1165\/revisions\/6574"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.whyquiltsmatter.org\/staging20231003\/wp-json\/wp\/v2\/media\/1176"}],"wp:attachment":[{"href":"https:\/\/www.whyquiltsmatter.org\/staging20231003\/wp-json\/wp\/v2\/media?parent=1165"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.whyquiltsmatter.org\/staging20231003\/wp-json\/wp\/v2\/categories?post=1165"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.whyquiltsmatter.org\/staging20231003\/wp-json\/wp\/v2\/tags?post=1165"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}